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A constrained silence lasted for a couple of minutes, and then, as might be expected, some scene-shifting took place. Reflecting, probably from certain fairly unmistakable signs, that he would get nothing in this "cabin" by attempting to overawe them, the gentleman softened somewhat, and civilly, though with some severity, emphasising every syllable of his question, addressed Zossimov: "Rodion Romanovitch Raskolnikov, a student, or formerly a student?" Zossimov made a slight movement, and would have answered, had not Razumihin anticipated him.
"Here he is lying on the sofa! What do you want?" This familiar "what do you want" seemed to cut the ground from the feet of the pompous gentleman. He was turning to Razumihin, but checked himself in time and turned to Zossimov again. "This is Raskolnikov," mumbled Zossimov, nodding towards him. Then he gave a prolonged yawn, opening his mouth as wide as possible. Then he lazily put his hand into his waistcoat-pocket, pulled out a huge gold watch in a round hunter's case, opened it, looked at it and as slowly and lazily proceeded to put it back.
Raskolnikov himself lay without speaking, on his back, gazing persistently, though 'without understanding, at the stranger. Now that his face was turned away from the strange flower on the paper, it was extremely pale and wore a look of anguish, as though he had just undergone an agonising operation or just been taken from the rack. But the new-comer gradually began to arouse his attention, then his wonder, then suspicion and even alarm. When Zossimov said "This is Raskolnikov" he jumped up quickly, sat on the sofa and with an almost defiant, but weak and breaking, voice articulated: "Yes, I am Raskolnikov! What do you want?" The visitor scrutinised him and pronounced impressively: "Pyotr Petrovitch Luzhin.
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